in some senses 1408 is a valiant effort to reintroduce spooks and scares to the horror game, and in the few moments it really focuses, it does succeed; there's some tantalizing whiffs of mood and macabre austerity during the film's middle section (calling it a second act would misrepresent) and a moment or two of commendably casual terror. but it's also a clusmy adaptation of what seems like a fairly shallow King short story, padded out with pace-constricting grabs at structure and bogged down by a disserviceable slickness. there's probably a damn respectable scary movie to be made from the scraps of 1408, but Håfström's is sadly undone by Hollywood compromise.
Saturday, July 07, 2007
mikael håfström's 1408 (2007)
in some senses 1408 is a valiant effort to reintroduce spooks and scares to the horror game, and in the few moments it really focuses, it does succeed; there's some tantalizing whiffs of mood and macabre austerity during the film's middle section (calling it a second act would misrepresent) and a moment or two of commendably casual terror. but it's also a clusmy adaptation of what seems like a fairly shallow King short story, padded out with pace-constricting grabs at structure and bogged down by a disserviceable slickness. there's probably a damn respectable scary movie to be made from the scraps of 1408, but Håfström's is sadly undone by Hollywood compromise.

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