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in fact, Spike’s subsequent (and only intermittently productive) preoccupation with racial issues is nowhere to be found in She’s Gotta Have It, which makes the film all the more significant within his body of work; not only does he focus all of his energy on Nola’s personal plight (as well as a startlingly accomplished comedic performance as Mars) but in forgetting to address race directly he actually manages his first forward push for African American cinema, making a universally smart, accessible film about human sexuality in which all the characters just happen to be black.
sadly, years of waiting for a lovingly prepared DVD (I can finally toss out my battered VHS) are for naught: MGM’s release is the very definition of barebones, showcasing an indie hallmark without so much as a trailer to accompany it. where’s the Lee commentary? (if he can write a whole book about the film’s production, he can surely jaw about it for ninety minutes.) furthermore, where’s Mars Blackmon’s “It’s Gotta Be The Shoes” commercials with Michael Jordan? a missed opportunity for too-long overlooked film, but a joy to have available nonetheless.
(abridged from the KNOXVILLE VOICE)
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